Me And That Man – Dark Americana Anthems

Dark Americana Anthems

Three years after their initial debut, ME AND THAT MAN – Nergal’s dark folk/blues solo project – have returned with their sophomore release, New Man, New Songs, Same Shit Vol. 1, is out now via Napalm Records. Upon release, ME AND THAT MAN’s debut album, Songs of Love and Death, cast a spell on the world. Now, the mysterious collective has surpassed themselves with their bewitching new offer – consisting of menacing lyrics atop unfiltered blues, gothic-laced folk, outlaw country and dark Americana anthems.

The enthralling album visits a completely new spectrum of dark desert vibes and sees noteable heavy music icons such as Corey Taylor (Slipknot), Brent Hinds (Mastodon), Matt Heafy (Trivium) and Sivert Høyem (Madrugada) join the pact with the devil. Jørgen Munkeby’s (Shining NO) distinctive vocals and saxophone contributions weave throughout the first single, “Run With The Devil”, a foot-stomping blues-rock anthem with an upbeat tempo and indelible hook. Songs like the outlaw-infused “Burning Churches”, featuring the raspy voice of Mat McNerney (Grave Pleasures), the gloomy, soulful “Surrender”, featuring Anders Landelius (Dead Soul), and the mournful country ballad “Confession”, performed with Niklas Kvarforth (Shining SE), make this standout album a surefire repeat listen. New Man, New Songs, Same Shit Vol. 1 is a diversified, dynamic masterpiece that presents Nergal in a completely new light, providing a strong contrast to the heavier sounds of Behemoth. 

Dark Americana Anthems

After just having released the upbeat “Run With The Devil” featuring Jørgen Munkeby of the Norwegian blackjazz collective SHINING and the outlaw-infused “Burning Churches” featuring Mat McNerney of GRAVE PLEASURES, ME AND THAT MAN have dropped a third single — the gloomy, soulful “Surrender”, cut from “New Man, New Songs, Same Shit, Vol. 1”. The track features the Swedish industrial doom blues standout DEAD SOUL and Rob Caggiano’s (VOLBEAT) distinctive guitar playing. It shows yet another aspect of the band’s versatility.

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