The Jack Nicholson Western “The Shooting” takes place in the American West, where Willet Gashade (Warren Oates), a former bounty hunter, and Coley Boyard (Will Hutchins), his dimwitted partner, are approached by a secretive young woman (Millie Perkins) who offers them money to guide her through the desert but refuses to discuss why she is traveling. The group embarks on the journey and is eventually joined by Billy Spear (Jack Nicholson), a volatile gunslinger the woman has also hired. The only question is why.
The film was shot in 1965 in the Utah desert, back-to-back with Monte Hellman’s similar Western Ride in the Whirlwind, which also starred Nicholson and Perkins. Both films were shown at several international film festivals, but the U.S. distribution rights were not purchased until 1968, by the Walter Reade Organization. No other domestic distributor had expressed any interest in the films. Walter Reade decided to bypass a theatrical release, and the two titles were sold directly to television.
In 1964, Monte Hellman and Jack Nicholson had made two films together, Back Door to Hell and Flight to Fury, which were produced by Fred Roos and filmed back-to-back in the Philippines. After completing the films, the director and actor wrote a screenplay called Epitaph and presented it to Roger Corman to produce. Corman did not care for the script, but asked if the two would be willing to do a Western for him, instead. When they expressed an interest, Corman further suggested that they film two Westerns, in a manner similar to the Philippine-shot movies they had just finished. They agreed, and while Nicholson started working on the script for Ride in the Whirlwind, Hellman asked their mutual friend Carole Eastman to write The Shooting.
According to Hellman, Eastman’s script was used almost exactly as written, with no need for any rewrites. Hellman felt, though, that the first part of the script had too much expository material involving Gashade’s trip through the desert as he returned to the mining camp, so Hellman simply deleted it, noting that “Exposition, by its very nature, is artificial.” After discarding the material, Hellman began shooting around “page 10” of the screenplay. He felt the story was “perfectly simple” and did not need any additional information to help the audience figure things out. Nonetheless, Corman insisted on Hellman inserting a certain amount of exposition that Corman hoped would help explain the story. Corman felt that if mention was made three times during the course of the film that Gashade had a brother, audiences would not be confused by the climactic sequence. Hellman reluctantly agreed.
After briefly considering Sterling Hayden for Gashade, Hellman was shopping in a Los Angeles bookstore when he suddenly and simultaneously thought of Perkins, Warren Oates, and Will Hutchins for the main roles. Perkins was Hellman’s next-door neighbor at the time, and she had known both Hellman and Nicholson for many years, having first met them while all of them were attending the same acting class. Hellman immediately telephoned Nicholson with his casting idea. Nicholson agreed that the three actors would be perfect.
